"Echte" was released by CoC in 1992.
Get it here : ABGS - Echte
Showing posts with label Tribal. Show all posts
Showing posts with label Tribal. Show all posts
2011-06-20
ABGS - Echte
Tags :
ABGS,
Experimental,
Industrial,
Ritualistic,
Tribal
ABGS - Bunkerbeschallung
"Bunkerbeschallung" was released by CoC in 1991.
Get it here : ABGS - Bunkerbeschallung
Get it here : ABGS - Bunkerbeschallung
Tags :
ABGS,
Experimental,
Industrial,
Tribal
2011-06-09
Denier Du Culte - Mission Dans Le Néant [C30 Tape]
Denier Du Culte was an experimental trio from Annecy, France, featuring Philippe Blanchard (aka Lt. Caramel), Sylvie Loquet (La Sonorité Jaune) and Alain Basso (now performing in Sol III).
Tracklisting :
1. Contention
2. L'Archange Enflammé
3. Le Don De La Souillure
4. Affres
5. Noctambule
"Mission Dans Le Néant" was released by Actéon in 1984.
Get it here : Denier Du Culte - Mission Dans Le Néant
Tracklisting :
1. Contention
2. L'Archange Enflammé
3. Le Don De La Souillure
4. Affres
5. Noctambule
"Mission Dans Le Néant" was released by Actéon in 1984.
Get it here : Denier Du Culte - Mission Dans Le Néant
Tags :
Denier Du Culte,
Experimental,
Tribal
2011-06-07
Savage Republic - Tragic Figure - 7"
From Allmusic.com : "Figures of considerable repute within the Los Angeles post-punk community of the 1980s, Savage Republic grafted tribal percussion, industrial drones, and raga-like guitar lines together to craft an idiosyncratically moody sound with flashes of both desolation and eloquent grandeur. Capable of both harsh dissonance and shimmering textures, Savage Republic's guiding force was guitarist Bruce Licher, a founder and constant presence in their shuffling lineups. Alternating between cyclic instrumentals and quasi-industrial assaults with gruff, chanted vocals, their records were unavoidably inconsistent, but most contain some enduring highlights.
Savage Republic were founded by former UCLA students Licher and drummer Mark Erskine in the early '80s. Adding new members Jackson Del Rey, Jeff Long, and Robert Loveless, the group members originally called themselves Africa Corps, changing the name to Savage Republic just before releasing their first record in 1982. Exotic percussion would always play a big role in Savage Republic -- even in the early days they were using oil cans, metal pipes, and 55-gallon drums. Their early singles, and their debut LP Tragic Figures (1982), show the group at its least accessible, though there are hints of the more mysterious and melodic elements to come.
After some personnel changes (some members went off to form 17 Pygmies), Savage Republic regrouped with a more guitar-oriented sound. On Ceremonial (1985), the band shifted its focus to mostly instrumental material, usually piloted by oddly tuned guitars (the group sometimes used guitars with six identically tuned strings). They'd never wholly abandon those droning, angst-driven chants, though. Combined with the fact that their instrumental material wouldn't break much new ground over the course of the decade, that can make their studio albums uneven listening. In any case, Savage Republic were best experienced live, where they would burn trash cans of pampas leaves, play on Los Angeles' Skid Row, and use all sorts of unexpected objects for percussion in their quest to make each concert a unique event.
Savage Republic's albums, which were individually hand-letterpressed and numbered by Licher himself, received as much attention for their packaging as their music. Licher would perform the same services for other bands on his Independent Project label, even getting a Grammy nomination for his work on the first Camper Van Beethoven LP. Savage Republic were not destined to become nearly as big as Camper (not that this was ever their intent), and disbanded around 1990. A small reunion tour brought the band back in the fall of 2002, but the band only played a few random dates. After relocating to Arizona, Licher continued to run the Independent Project label, and design sleeves (his most famous work in that department has been for an R.E.M. Christmas fan club single). Musically, he resurfaced with the trio Scenic, which played entirely instrumental material that blends the exotic flavor of Savage Republic with influences from Ennio Morricone and Southwest border music.
The group re-formed in the 2000s, although Licher was involved only with an initial reunion tour and Erskine was not involved at all; this lineup comprised a trio of mid-'80s members -- Greg Grunke, Thom Fuhrmann, and Ethan Port -- along with new recruits Alan Waddington, Val Haller, and Kerry Dowling. This lineup recorded the full-length 1938, which appeared in 2007 on the Neurot label."
"Tragic Figure" was released by Independent Project Records in 1984.
Get it here : Savage Republic - Tragic Figure
Savage Republic were founded by former UCLA students Licher and drummer Mark Erskine in the early '80s. Adding new members Jackson Del Rey, Jeff Long, and Robert Loveless, the group members originally called themselves Africa Corps, changing the name to Savage Republic just before releasing their first record in 1982. Exotic percussion would always play a big role in Savage Republic -- even in the early days they were using oil cans, metal pipes, and 55-gallon drums. Their early singles, and their debut LP Tragic Figures (1982), show the group at its least accessible, though there are hints of the more mysterious and melodic elements to come.
After some personnel changes (some members went off to form 17 Pygmies), Savage Republic regrouped with a more guitar-oriented sound. On Ceremonial (1985), the band shifted its focus to mostly instrumental material, usually piloted by oddly tuned guitars (the group sometimes used guitars with six identically tuned strings). They'd never wholly abandon those droning, angst-driven chants, though. Combined with the fact that their instrumental material wouldn't break much new ground over the course of the decade, that can make their studio albums uneven listening. In any case, Savage Republic were best experienced live, where they would burn trash cans of pampas leaves, play on Los Angeles' Skid Row, and use all sorts of unexpected objects for percussion in their quest to make each concert a unique event.
Savage Republic's albums, which were individually hand-letterpressed and numbered by Licher himself, received as much attention for their packaging as their music. Licher would perform the same services for other bands on his Independent Project label, even getting a Grammy nomination for his work on the first Camper Van Beethoven LP. Savage Republic were not destined to become nearly as big as Camper (not that this was ever their intent), and disbanded around 1990. A small reunion tour brought the band back in the fall of 2002, but the band only played a few random dates. After relocating to Arizona, Licher continued to run the Independent Project label, and design sleeves (his most famous work in that department has been for an R.E.M. Christmas fan club single). Musically, he resurfaced with the trio Scenic, which played entirely instrumental material that blends the exotic flavor of Savage Republic with influences from Ennio Morricone and Southwest border music.
The group re-formed in the 2000s, although Licher was involved only with an initial reunion tour and Erskine was not involved at all; this lineup comprised a trio of mid-'80s members -- Greg Grunke, Thom Fuhrmann, and Ethan Port -- along with new recruits Alan Waddington, Val Haller, and Kerry Dowling. This lineup recorded the full-length 1938, which appeared in 2007 on the Neurot label."
"Tragic Figure" was released by Independent Project Records in 1984.
Get it here : Savage Republic - Tragic Figure
Tags :
Alternative,
Experimental,
Post-Punk,
Savage Republic,
Tribal
2011-06-03
Kathy Acker with Nox - Love, Emily [C30 Tape]
Second release of Nox for AKT Production, here with the help of Kathy Acker who reads excerpts from her book "My Death, My Life, by Pier Paolo Pasolini".
"Love, Emily" was released by AKT Production in 1987.
Get it here : Kathy Acker with Nox - Love, Emily
"Love, Emily" was released by AKT Production in 1987.
Get it here : Kathy Acker with Nox - Love, Emily
Tags :
Industrial,
Kathy Acker,
Nox,
Spoken Word,
Tribal
Nox - Acte 1 [C30 Tape]
This is the first ever release by Nox. The four titles on this tape are reworked versions of tracks played by Nox on June 17th 1983, at the 8th Festival of Science Fiction of Metz.
"Acte 1" was released by AKT Production in 1984.
Get it here : Nox - Acte 1
"Acte 1" was released by AKT Production in 1984.
Get it here : Nox - Acte 1
2011-06-01
Jeff Greinke & Rob Angus - Crossing Ngoli
From Discogs.com : "Jeff Greinke is a musician, composer, performer, sound sculptor, and visual artist who is known worldwide for his unique sound. Through a highly developed process of layering, Jeff composes and performs music rich in texture, depth, mood, and subtle detail. Using various acoustic and electronic instruments, found sounds, and extended studio techniques, Jeff sculpts sound worlds that conjure a strong sense of place, hovering somewhere between the exotic and the familiar.
Rob Angus is a Seattle based musician and sound engineer who was a big influence in the early 80's on local musicians in Pennsylvania when he and Jeff Greinke ordered the import records at a local music store. Rob got people enthusiastic about reel to reel tape loop systems (Frippertronics style stuff), and he got a few people access to Penn State's electronic music lab, which had one of the earliest Moog synthesizers.
Jeff Greinke and Rob Angus also produced and promoted some interesting concerts before they moved to Seattle in the early 1980s. They collaborated extensively for a while on early ambient industrial music until they moved on to solo work and other projects."
"Crossing Ngoli" was released by Ear-Rational (a division of Dossier Records) in 1992.
Get it here : Jeff Greinke & Rob Angus - Crossing Ngoli
Rob Angus is a Seattle based musician and sound engineer who was a big influence in the early 80's on local musicians in Pennsylvania when he and Jeff Greinke ordered the import records at a local music store. Rob got people enthusiastic about reel to reel tape loop systems (Frippertronics style stuff), and he got a few people access to Penn State's electronic music lab, which had one of the earliest Moog synthesizers.
Jeff Greinke and Rob Angus also produced and promoted some interesting concerts before they moved to Seattle in the early 1980s. They collaborated extensively for a while on early ambient industrial music until they moved on to solo work and other projects."
"Crossing Ngoli" was released by Ear-Rational (a division of Dossier Records) in 1992.
Get it here : Jeff Greinke & Rob Angus - Crossing Ngoli
Tags :
Electronic,
Ethnographic,
Experimental,
Jeff Greinke,
Rob Angus,
Tribal
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